Detail of Tempest Storm’s grave, Lovely Grove Baptist Church
Thomas Wolfe titled his posthumous final novel “You Can’t Go Home Again” and the phrase has come to represent those who leave their small hometowns and go on to bigger things. Tempest Storm did come back to her roots in Dodge County, to the Lovely Grove Baptist Church graveyard.
Tempest Storm (29 February 1928-20 April 2021)
Tempest Storm, born Annie Blanche Banks on Leap Day 1928, lived a remarkable life far from her Baptist roots in Dodge County. She quit school in seventh grade, survived sexual abuse, and was married to a Marine in Columbus, Georgia, at age 14. This was an act of defiance, a way of liberating herself from her parents. She then married a shoe salesman, but left that marriage after six months, with a dream of stardom in Hollywood. At age 17, she landed a job in a Los Angeles burlesque review, making more money in a month than she could in a year back home, and changed her name to Tempest Storm.
Known as “The Queen of Burlesque,” she captivated audiences with her stunning performances that blended beauty, talent, and flair. Over her expansive career, she was a regular dancer in numerous western cities and went from seedy postwar strip clubs to mingling with celebrities like Frank Sinatra and Elvis Presley, leaving an indelible mark on the entertainment industry. Storm’s vibrant personality and unique style not only set her apart from her contemporaries but also earned her a loyal fan base that cherished her artistry. Married four times, she embraced the complexities of love and relationships while continuing to grace the stage with her presence. Even as the years went by, she never truly retired from burlesque, choosing instead to adapt and evolve with the changing times, maintaining a connection to her roots. Her legendary career came to a close with her passing in Las Vegas in 2021 at age 93, leaving behind a legacy that continues to inspire dancers and performers worldwide.
Memorial for Leroy Tabor (1953-1959), St. Paul Missionary Baptist Church Cemetery, Tift County
The Tift County School Bus Crash of 1959 happened nearly 70 years ago, but is still remembered by many as the county’s worst tragedy. Nine children lost their lives. Becky Taylor’s 2019 Tifton Gazette article about the anniversary of the crash highlighted survivors who still had vivid memories of the day. Two siblings who died that day, Leroy and Billy Tabor, are buried at St. Paul Missionary Baptist Church.
Leroy Tabor, public domain image via Find a Grave.
Per the Associated Press: “Fortunately, the bus was not alone on the road. Carl Lowry and Charles Ahrens were in a car behind the vehicle. Jack Withers saw the accident as he drove by. Ambulances and authorities were telephoned…” The driver had kicked out the windshield and with the help of students began pulling people out of the wreckage.
Memorial for Billy Tabor (1950-1959), St. Paul Missionary Baptist Church Cemetery, Tift County
Those whose lives were lost were: Gloria Jean Davis, Age 7; Leroy Tabor, Age 7; Rufus Harrell Greene, Age 8; Henry Edward Johnson, Age 8; Bobby King, Age 8; Billy Tabor, Age 9; Bernice Henderson, Age 14; Artie Lee Simmons, Age 14; and Erlene Wilcox, Age 14.
Billy Tabor, public domain image via Find a Grave .
Eureka Church seen from the cemetery, 18 August 2013.
The cemetery associated with historic Eureka Church is the last remaining public landmark of The Level, a Black community near Hagan. The church collapsed circa 2018. A nice collection of vernacular memorials set Eureka Cemetery apart as a historic resource for Evans County. I am sharing random shots, including commercial markers, but focusing on the vernacular pieces.
A. J. Collin(s) (1886-1952)
I believe the name was misspelled on this memorial, as there are others buried here whose name is Collins.
Leasan Ray (1850?-29 June 1915)
Like many in this Freedmen’s congregation, Leasan Ray was likely born enslaved.
Mary Wright (1858?-25 March 1911)
The fallen marker notes that Mary Wright was aged 59 years at the time of her death.
Mary Rease (10 March 1868-27 June 1926)
This is one of the earlier commercially made memorials in the cemetery, featuring a dove.
Unfinished
This marker has no information, but was likely meant for a family.
Sarah Davis (Birth and death dates unknown)
The only information, other than the decedent’s name, notes that she was Bob Small’s sister.
Venus Bacon (2 January 1820-9 October 1889)
Venus Bacon’s marker is an early commercial form with stenciled lettering.
O. F. Kennedy (19 July 1877-15 September 1892)
The hearts were a nice addition on this handmade memorial.
Sammie Wright (23 May 1895-15 August 1958)
Mr. Wright was a Private, 52 Co, 157 Depot Brigade, World War I.
Illegible
I have tried to interpret the words on this memorial to no avail.
Unidentified
The red star likely denotes a Masonic affiliation.
York Jones (Birth date unknown-1935?)
All the Jones family memorials have a similar shape and were likely the work of the same maker. This small stone has faded badly.
Jim Jones (dates illegible)
I will try to add birth and death dates if I am able to interpret them. I believe they all may be children.
Mary Jones (1937-1938)
Like the memorial for Jim Jones, Mary Jones’s features the name in cursive.
The memorial for D. V. Richardson is perhaps the most notable work in the cemetery. It features hand lettering and an unusual symbol, seen in detail above. It appears to have something to do with carpentry or, perhaps, Masonry.
Elder Abraham Jackson was the patriarch of Jackson Town, a historically Black neighborhood near Collins, Georgia, and he and his family were among the earliest burials in what would become the Jackson Cemetery, still dominated by his descendants and cousins today. The cemetery is very well-maintained.
Elder Abraham Jackson (1837-17 April 1915) and Rilla Collins Jackson (1840-17 March 1915)
Born enslaved in Barnwell, South Carolina, Elder Jackson later served (1865-1866) in Co. C, 1st Regiment South Carolina Volunteer Infantry (Colored), which was redesignated Co. C, 33rd Regiment, United States Colored Troops. He married Rilla, whose last name remains unknown, in the 1850s.
Anna Collins, (Circa 11 October 1888-8 June 1904)
This memorial for Anna Collins, the very wife of Henry Collins, is the earliest grave I found in Jackson Cemetery. She may have been Elder Jackson’s sister-in-law.
Nellie Jackson (28 January 1862-23 June 1904)
Nellie was the wife of George Jackson. Her vernacular memorial, which has been repaired, is very similar to that of Anna Collins. It reads: Dear husbad (sic) and children. as you is now, once was I, and as I am now you must be. Remember death and follow me.
Westwood Cemetery is perhaps the oldest and largest Black cemetery in Fitzgerald.
Though the earliest burial I could locate was in 1918, the cemetery may have been established earlier, in the heyday of the Westwood community and the AB&A Railroad shops, circa 1900-1910.
The usual variety of memorials is present, ranging from handmade vernacular headstones to stenciled and commercial examples. As always, I’m sharing only a representative sampling of what I found and was able to photograph.
Edger Allen (25 April 1902-14 October 1918)
Interestingly, some of the earliest memorials in the cemetery are commercially made marble headstones.
Hattie Allen (November 1888-14 December 1925)
Hattie Allen’s memorial is one of the finest in Westwood Cemetery. It notes that she was born in Houston County, Georgia, and that she was a member of Bethel AME Church, one of Fitzgerald’s oldest Black congregations.
Braxton or Brayton King (18 Dec 19?-9 February 1919)
The gravestone of Mr. King illustrates the difficulty in the identification of some burials, especially those using hand writing. Some of the inscription has eroded over time. As a result, the photographic documentation of such memorials is an important step in recording their lives.
Emma Martin (5 or 15 March 1885-4 or 14 January 1958)
The vernacular memorials are always my favorites. Ms. Jones’s was difficult to read.
Fannie Blair (1886-1958)
This simple vernacular memorial was painted white, as were a good number in Westwood Cemetery at one time.
Walter Anderson (1876-1947)
The marker for Mr. Anderson was cracked, a common issue with handmade memorials.
Walter T. Anderson (1905-1937)
I presume this was the son of Walter Anderson. If so, his father outlived him by a decade. Both of their memorials were likely made by the same person.
Mathis Family boundary post
This is one of four handmade posts marking the plot of the Mathis Family. This one bears the name K. C. Mathis, who died in 1952.
Mathis Family
A broader view of the Mathis Family plot, with the handmade boundary posts visible at the corners.
Mrs. Lula Kendrick (June 1860?-196?)
This headstone is handmade, but of a shape commonly found in commercial memorials of the Victorian era.
Rev. Nebraska Owens (8 January 1906-17 July 1984)
I love unusual names and am always happy to find them when rambling around old cemeteries. Rev. Owens may have been associated with one of the local congregations in Westwood, but I have been unable to located anything about him.
Tynie McDuffie (12 March 1888-4 December 1962)
The lamb is a common symbol in cemeteries.
J. C. Medler (?=1995)
The government supplies headstones to all veterans who choose to be remembered for their service. This memorial indicates that Mr. Medler served in the army in World War II.
John Medler (8 Dec 1923-2 June 1993)
John Medler was likely the brother of J. C. Medler (previous photograph). Both served the United States in the army in World War II.
William D. Brown (26 June 1951-30 May 2013)
This memorial is of a vernacular style common in the last century.
Samuel Chester (28 October 1896-29 March 1964)
This small cross is one of the finer commercial memorials in Westwood Cemetery.
Mr. William Stephens (18 November 1903-17 June 1975)
Though not fully visible in this photograph, the name at the bottom of this memorial is ‘Cummings’. Cummings was one of the two leading Black funeral homes in Fitzgerald for the latter half of the 20th century.
Leonard Stewart (10 September 1877-14 April 1961? ) and Lolia Stewart (15 December 1887-20 August 1968)
The graves of Mr. and Mrs. Stewart are decorated with flower pots.
Unknown decedent
This marker has no identification.
Lyons family plot
The Lyons family plot is interesting for its placement of small Christmas trees near each grave.
The cemetery is not neglected but rather in a more natural state, with native grasses and wildflowers abundant throughout.
Fairview Missionary Baptist is a historic Black congregation in eastern Ben Hill County. It was established in 1912 by Rev. W. C. Tucker. The present structure was built between 1994-1999.
A small cemetery is located across the road from the church and contains stenciled concrete headstones alongside a few commercial examples. The following are meant to be representative and in no way a complete documentation. I believe some have been lost to vegetation in the surrounding woods.
Among legible headstones, A. J. and Laura Brown’s indicate they were among the oldest members. They were likely born enslaved and were in their early 60s when Fairview was established.
Laura Brown (Circa 1864-25 July 1914)
No specific birthdate for Laura is given, though the memorial notes that she was 50 when she died.
John Jackson (August ? 1897-4 October 1943)
Mr. Jackson was a veteran, but details were not readable on his memorial. The date of his death may indicate that he was a casualty of World War II.
Willie L. Shepherd (2 August 1916-19 November 1985)
Mr. Shepherd was a Staff Sergeant in World War II. No other service details are given on the memorial.
Robert “Sonny” Graham, Jr. (1939-?)
The shoes and figurines are a tribute.
Autry Moton (11 January 1943-29 March 2002)
This is one of the more modern commercial stones in the cemetery.
Savannah’s Catholic Cemetery was established by Bishop Francis Xavier Gartland (1805-1854) in 1853 when local politicians denied the congregation’s request for a specially consecrated section in Laurel Grove. An eight-acre purchase on the grounds of the former Rhinehart Plantation was the genesis of this large park-like necropolis. Many remains first buried in Colonial Park were re-interred here, which explains the memorials which predate the existence of the Catholic Cemetery. Surprisingly, this property is not listed on the National Register of Historic Places. While Bonaventure, Colonial Park, and the Laurel Grove cemeteries get scores of visitors, the Catholic Cemetery is often overlooked.
After the surrender of Savannah to General Sherman’s troops on 23 November 1864, Union soldiers encamped here for a time and are known to have desecrated graves. Some of these were restored in 1867 after pleas by Bishop Augustin Verot to President Andrew Johnson and Secretary of War Edwin M. Stanton. Several additions have expanded the cemetery over the years.
The memorials and monuments depicted here are presented in no particular order, and I will add more images in the future.
Prince – He loved his master
It’s rare to see pets buried in human cemeteries. Prince, a beloved companion of Patrick Hagan (1843-1912), is one of the most sought-out and photographed monuments in the Catholic Cemetery.
This depiction of a welcoming Christ graces a Buttimer family plot and is located near the cemetery entrance.
Joseph Truchelut (1769-1826)
This is one of two memorials for Joseph Truchelut, a native of Rehon, France. He was originally buried in Colonial Park and re-interred here in the 1850s.
Kennedy family
This grotto, the only vernacular memorial I found in the Catholic Cemetery, is located beside the grave of Frank Kennedy.
Mary Raffial (1816-1859)
Mary Raffial was born in St. Augustine and died in Savannah in 1859. The willow seen on her headstone was a common theme in Victorian funerary art, representing sorrow and the acceptance of loss.
Hugh Cullens (unknown-1861) & family
This was the Hugh Cullens family vault. Cullens was a native of Ireland. Brick mausoleums of this design were popular in mid-19th century Savannah.
John Cass (1807-1859) & family
John Cass was an Irish immigrant. His obituary in the Savannah Morning News noted: “…Mr. Cass was, at the time of his death, the proprietor of the City Hotel, and Vice President of the Hibernian Society. His remains were followed to the grave…by the Chatham Artillery, members of the Hibernian Society, and a large concourse of citizens.”
James Monahan (unknown-1879) & family
This is another typical 19th-century mausoleum design found in various Savannah cemeteries, with stacked granite and marble trim. Mr. Monahan was a private in Olmstead’s 1st Georgia Infantry during the Civil War.
William Doody (1818-1873) & family
This mausoleum was installed in 1906. William Doody was an Irish immigrant.
Dempsey family
This Gothic Steeple monument is unique in the Catholic Cemetery, though the style can be found in other historic Savannah locations.
John Rourke, Sr. (1837-1932) & family
John Rourke, Sr., immigrated to America from County Wicklow, Ireland. His wife, Johanna Reedy Rourke (1845-1940), was from County Limerick.
John Jasper Rourke (1879-1879) & Mary Frances Rourke (1874-1880)
A cherub and cross mark the final resting place of two of John and Johanna Rourke’s children.
Capt. John Flannery (1835-1910) & family
John Flannery was an Irish immigrant, born in Nenagh, County Tipperary, who became one of the most prominent citizens of Savannah. The captain of the Irish Jasper Greens, he was beloved by his fellow soldiers and remained active in commemorations and parades honoring their service well into old age. He organized and served as president of the Southern Bank, which later merged with the Citizens Bank to become the Citizens and Southern Bank (C&S).
Capt. John Flannery monument (detail)
His monumental memorial, featuring a depiction of the crucified Christ, is among the most notable in the Catholic Cemetery.
Irish Jasper Greens monument (detail)
This Confederate soldier, standing atop a much taller base, memorializes the 28 members of the Irish Jasper Greens who died during the Civil War. It was erected in 1910.
Joseph Francis O’Brien (1867-1928) and Agnes L. Fitzgerald O’Brien (1872-1904)
These cross memorials are quite impressive, and larger than they appear in the photograph.
Francis James “Frank” Bohan (1871-1900)
This Celtic cross features the name “Frank” at the center.
Eliza C. Brown Johnston (1847-1908)
A memorial published on the anniversary of Mrs. Johnston’s death in the Savannah Morning News on 15 March 1909 noted: “…Mrs. Johnston worked as a trained nurse under Dr. James B. Read for twenty-four years and, before the era of the professional trained nurse, was considered the best nurse that Savannah could boast of. She was noted for her many deeds of charity and cared as tenderly for those who could give no reward as if they were the wealthiest in the land…” Mrs. Johnston was a native of Charleston.
James J. Paul (1893-1904)
The lamb is a typical symbol on the graves of children. This memorial was created by Savannah’s most accomplished monument maker, John Walz.
John Feeley (1834-1892)
This sarcophagus-style memorial features elements of the Egyptian Revival.
Natalie Caroline Bettelini Maggioni (1854-1915)
Mrs. Maggioni was a Swiss immigrant of Italian ancestry. Her memorial is quite beautiful.
Drury-McDonald Memorial with John Waltz cherubs
Those familiar with Savannah cemeteries are likely aware of the work of John Walz. He is perhaps best known for his cherubs.
Drury-McDonald Memorial with John Waltz cherubs
These cherubs are often located at the corners of small pillar stones and are quite distinctive.
Drury-McDonald Memorial with John Waltz cherubs
They survive in various conditions.
Joseph Pelli (1844-1913) & family
This memorial features a depiction of the Pietà.
Fogarty family plot
Christ depicted with the Crown of Thorns is but a small part of this memorial, but quite poignant.
Lula Margaret Smith (1861-1897)
The angel in a grotto adorning the gravesite of Lula Margaret Smith was created by John Walz.
Katie Walker McGuire (1865-1954)
The Sacred Heart of Jesus is one of the most common symbols in Catholic iconography and is often depicted as pierced or flaming, surrounded by thorns.
Bone Cemetery was established by Russel G. Bone in the 1940s, in one of Milledgeville’s historic Black neighborhoods. The most notable memorials are these moving tributes to the Oden family. They are part of the larger Collier-Oden plot, and are located at the feet of commercially manufactured granite slabs. William T. Collier, was an Army veteran of World War I, the organizer and first commander of American Legion Post 523, and a prominent brick mason.
This 6-foot anchor may be the most impressive of the three concrete memorials.
Ralph Oden (1951-1969)
It identifies Ralph and Ruth Oden.
Ruth Oden (1908-1955)
I’m not sure what the “S” indicates.
“Son”, on this point of the anchor, may be another reference to Ruth’s son, Ralph.
This is one of two five-pointed stars. The lower points of both are buried slightly into the concrete within the plot. Considering that family members were brick masons, one of them was likely the maker of these memorials. The inscription reads: Memory – Marguerite – Ruth – Builder – Bro. Lo. Ruth’s name appears again, but I can’t connect the others.
Lorenzo William Oden (1909-1988)
The stars are about 3 or 4 feet tall, much larger than any others I’ve encountered. This one bears the inscription: 1981 – Warren Honor Clyde – Grant General – Lorenzo. I believe 1981 is the year that these were made. Lorenzo Oden was married to Gladys Collier, daughter of William T. Collier. He was a Carpenter’s Mate Third Class in World War II, and was also a master brick mason. He was a life member of Bricklayers Union #3 and American Legion Post 523.
I’m posting the Sandy Grove AME Cemetery separate from the church and schoolhouse, due to the number of images. Like many rural cemeteries, it is kept up as best it can be. Small rural congregations of all races have dwindled greatly in the last generation, presenting a major challenge to the upkeep and survival of these landmarks. Cemeteries are avoided by many people. I consider them not only sacred spaces for obvious reasons, but works of art that invite quite contemplation.
Wilmon Shurley (1905-1983)
The memorials in Sandy Grove represent a variety of styles, from vernacular to commercial. These are presented in no particular order.
Wesley Rogers (1858-1924)
It’s highly likely that Mr. Rogers was born into slavery. Simple memorials like his are the most vulnerable to the elements and should all be documented.
William H. Brown (?-1945) and Fannie H. Brown (?-1943)
There are a number of commercial memorials in Sandy Grove, as well. This example notes when Mr. and Mrs. Brown passed, but I didn’t locate either of their birth dates.
Dawson Rivers (1838-1924) and Francis “Fannie” Aldridge Rivers (1849-1932)
Dawson and Fannie Rivers were both from mixed racial backgrounds and were prominent members of Sandy Grove. They had 14 children.
Nancy Francis Neely (1889-1918)
Memorials of this type are commonly found in rural cemeteries, and I enjoy documenting them. They add symbolic images to otherwise simple stenciled markers and are thus surrogates for the more costly commercial markers.
Lovie Ruff (1886-1917)
Sometimes, the names of those honored are their most fascinating legacy.
Benjamin Walker (1918-1918)
The lamb is often used on children’s gravestones.
D. C. Rogers (1915-1975) – Memorial by Eldren Bailey
I always document the work of Eldren Bailey when I find it. This and the next example were acquired through the Dawson Funeral Home.
Henry C. Murray (1916-1973) – Memorial by Eldren Bailey
Funeral homes acted as agents for Mr. Bailey’s work, I understand, and as a result various names appear on these iconic memorials.
Louise Howard (1876-1942)
The concrete markers with stenciled text are among the most commonly found types in many rural cemeteries. A sentiment is often added. On Mrs. Howard’s, it is: “Death is the Crown of Life”.
Willie Howard (1874-1953)
Mr. Howard’s epitaph is informative: “Servant of God 38 Years”.
Mary D. Rivers (1882-1947)
Mrs. Rivers’s memorial is quite typical, in contrast to her husband’s (below).
John Rivers (1871-1939)
Mr. Rivers’s headstone incorporates a triangle enclosing a mosaic of green and brown glass shards. Triangles can represent the Trinity in Christianity but also have Masonic connections. It’s impossible to discern from this photograph, but there is a small circle inside the triangle with rays radiating from its center. This may represent the Eye of God.
Mt. Zion’s historic cemetery is quite large and situated on hilly terrain. There is a nice variety of memorials, including many modern commercial types, but mixed among them are quite a few vernacular types, including these local granite stones. The names of the decedents are long lost.
Jeff Mapp (1900-1973)
This is one of several markers by Eldren Bailey found in Mt. Zion. This one has been painted white and was purchased through the Houston Funeral Home.
Willis James
I believe this is a child’s grave, since it identifies the decedent as “Master”. This term is commonly used with children. Like many memorials by Eldren Bailey, this one has been “buried” a few inches into the ground.
Louise Hillman
This Elden Bailey-produced memorial was sold through Atlanta’s Haugabrooks Funeral Home.
Deacon Lueagon Elbert Moss (1873-1958) and Mariah Moss (1872-1959) + Arthur Moss
The memorial for Deacon & Mrs. Moss is typical of the stenciled concrete markers found in the older sections of the cemetery. Arthur Moss may have been one of their children. His memorial is hand made.
Caroline Barrow ((1850?-1901)
This one of several older commercial marble memorials in the cemetery.
Robert Lee Bennett (1950-1970)
This handmade memorial is bordered with small rocks or pebbles. I believe there was something attached where the hole is now.
Cyrus Howell (1878-1956) Findagrave lists 1874 as the birthdate, but I think that is an error.
Mr. Howell was the oldest deacon at Mt. Zion at the time of his death.
Addie Lawrence (Dates undetermined; Findagrave records it as 1874-1961)
This is another nice example of a vernacular memorial using stencils that adds an extra touch with the impression of a dove. Mrs. Lawrence was a well-loved member of the Mt. Zion community and worked as a midwife for many years. In 1930, with M. C. Lawrence, Mattie Lawrence, M. F. Hillman, A. F. Tucker, R. B. Glover, Cyrus Howell and Lucy Kendrick, she formed a benevolent institution known as the “Band of Faithful Workers”. According to their legal petition filed with the county, the purpose of their institution was “caring for the sick and burial of the dead”.