Examples of this typical hip-roof style are often enhanced by a Queen Anne gable, as in this endangered example.
This house originated as a central hallway form but was later expanded into a gabled-ell.
Like most vernacular forms, this once-common rural house type is rapidly vanishing from the landscape.
Though some sources note that a John or Thomas Gilbert constructed the first mill, now known as Chappell’s Mill, on Big Sandy Creek [South Sandy Creek] in northern Laurens County circa 1811, it is more likely that it was James Stanley II (1771-1841), a settler from Jones County, North Carolina, who purchased nearly 2000 acres surrounding the millpond. [Primary sources are not available to me, so I cannot be certain of the date of the purchase, but the Stanley family migrated to Laurens County in 1811. It seems more than coincidental that the date of their move happens to be the date generally accepted for the construction of the mill]. He also operated a mercantile on the site.
The millpond site is considered to be the oldest man-made landmark in Laurens County. The old mill house, seen in the first two photographs, dates to the 1840s and was built after the original structure, which stood on the north side of the pond, washed away during a flood.
The stone work in the foundation certainly indicates the work of early craftsmen, almost certainly enslaved laborers.
Upon Stanley’s death in 1841, his son Ira B. (1802-1858) took control of the operations. He served Laurens County as sheriff in the 1820s and state representative in the 1830s. Until just after the Civil War the site was known as Stanley Mills, but in 1868 Ira’s son-in-law, James W. Chappell, gained majority interest in the mill. It has since been known as Chappell’s Mill.
Ira Stanley Chappell (1859-1931) was the last member of the Chappell family to own the mill. He sold it circa 1917 to Allen J. Dixon who sold it in 1943 to Dr. T. J. Blackshear.
Dr. Blackshear eventually sold it to Alex Dixon’s grandsons, James and Forrest Townsend.
During their ownership, the mill was expanded and electrified (1950s).
The Townsends always felt that water power resulted in a superior meal but the volume of work mandated the modernization.
At its peak, production ran to over 15,000 bushels per year.
The mill remained in operation until 1997. Its importance is not only in its longevity but in the fact that various structures associated with different eras of milling, from water power to electricity, as well as a mercantile and various barns, remain largely intact, and illustrate the evolution of what was one of Georgia’s most important early industries.
I am grateful to the caretaker for allowing me to photograph. It is private property and he noted that law enforcement often has to disperse trespassers. It’s an invaluable historical resource and the owners have been good stewards.
Established by enslaved people on the Cooper Plantation by Reverend George Linder in 1859, Strawberry Chapel is the oldest African-American congregation in Laurens County. This structure, though perhaps not the first that they built, was in use well into the 20th century. My guess is that it dates to the late 19th or early 20th century. The congregation, now known as Greater Strawberry A.M.E. Church, has a newer facility just down the road.
This house features a preacher’s room and a shed room across the back. This was a typical evolution of single- and double-pen houses as families grew and needed more space.
I haven’t been able to locate any history of this congregation, but it was traditionally known as Hatoff Church, as the road sign confirms.
It’s possible that a later congregation used the facility, as the adjacent cemetery is known as Mt. McCrae.
There are several interesting headstones in the cemetery, including these traditional wooden markers.
Such markers are found in African-American and white burying grounds alike.
This six-gabled farmhouse (one is on the other side) was the home of Melvin and Martha Browning Purvis. It is an amazing example of Folk Victorian construction and is maintained as an art studio today. Thanks to Marsheila Bush Rhodes for the identification.