Category Archives: –GLYNN COUNTY GA–

Early Postcard Views of Jekyll Island

Beach, Jekyl(l) Island, Ga., Hand-colored Albertype Postcard, Circa 1910-1920, Collection of Brian Brown

I’ve been collecting Georgia postcards since I was a teenager and have several thousand now. Besides my hometown, my favorite area to collect is the coast, Jekyll Island especially. This is just a small sampling of my Jekyll Island collection. Besides interesting glimpses into an earlier time, the cards are important primary historical sources. All of these images are in the public domain.

Jekyl(l) Island Club, Jekyl(l) Island, Ga., Hand-colored Albertype Postcard, Circa 1910-1920, Collection of Brian Brown

Having spent countless vacations with my parents on Jekyll, it’s a part of my history. Hand-colored Albertypes are my favorite cards and are among the most sough-after of the Jekyll Island cards.

Walk to Landing-Mr. Edwin Gould’s Place, Jekyl(l) Island, Ga., Hand-colored Albertype Postcard, Published by H. O. Lederer, Circa 1910-1920, [H. O. Lederer may refer to Otto Lederer, assistant to Club superintendent Ernest Grob], Collection of Brian Brown

The island was a haven for millionaires and some of the most famous American families during the late Victorian and early Edwardian eras, and the postcards produced for members of the Jekyll Island Club were quite special. You’ll note that on some of the cards, Jekyll is spelled “Jekyl”. I’m not sure why the distinction, since the island’s namesake, Sir Joseph Jekyll, spelled his name with two “l”s.

A Bit of Shore, Jekyl(l) Island, Ga., Hand-colored Albertype Postcard, Circa 1910-1920, Collection of Brian Brown

Many of the Albertypes focus on the natural and undeveloped aspects of the island, which luckily, can still be seen today.

Club Grounds, Jekyl(l) Island, Ga., Hand-colored Albertype Postcard, Circa 1910-1920, Collection of Brian Brown

Bicycling was all the rage in the early 1900s. The card pictured below shows one of several bicycle paths maintained for the enjoyment of club members.

McKay Bicycle Path, Jekyl(l) Island, Hand-colored Albertype Postcard, 1910-1920, Collection of Brian Brown

The beach buildings in the card below were for use by members of the Jekyll Island Club. They look quite primitive by today’s standards.

Shell Road and Beach, Jekyl(l) Island, Ga., Hand-colored Albertype Postcard, Circa 1910-1920, Collection of Brian Brown

Golf was first brought to Jekyll by members of the Jekyll Island Club and remains a popular pastime today.

13th Hole, 380 yards long, Jekyl(l) Island, Ga., Hand-colored Albertype Postcard, Circa 1910-1920, Collection of Brian Brown

Women were as involved in golf on Jekyll as men, as this view suggests.

Ninth Green, Jekyl(l) Island Club, Jekyl(l) Island, Ga., Published by H. O. Lederer, Circa 1910-1920, Collection of Brian Brown, Collection of Brian Brown

Golf was probably more popular than sunbathing in the Club Era, at least with adults.

Residence of Henry Kirk Porter, Jekyl(l) Island, Ga., Published by H. O. Lederer, Circa 1910-1920, Collection of Brian Brown, Collection of Brian Brown

Mistletoe, as the house was known, is virtually unchanged today.

Three Pretty Houses of Members of Jekyl(l) Island Club, Jekyl(l) Island, Brunswick, Ga., Albertype Postcard, Published by Fleming & Bryant, 1914, Collection of Brian Brown

This multi-view card was published by Brunswick booksellers Fleming & Bryant. Along with H. O. Lederer, they were the primary publishers of early Jekyll Island cards. Featured are Solterra, which burned in 1914, Goodyear Cottage, and Mistletoe.

“Jessamine Road’, A Beautiful Drive, Bordered by Hedges Through Club Grounds, Jekyl(l) Island Club, Jekyl(l) Island, Brunswick, Ga., Albertype Postcard, Published by Fleming & Bryant, 1914, Collection of Brian Brown

Like H. O. Lederer, Fleming & Bryant focused on the club grounds, as well as natural scenes like the one below.

“Shell Road Driveway” Opening on Atlantic Ocean Beach, Jekyl(l) Island, Brunswick, Ga., Albertype Postcard, Published by Fleming & Bryant, 1914, Collection of Brian Brown

On of my favorite cards is this moonlight view of the Jekyll River.

Moonlight on Jekyl(l) Creek, Jekyl(l) Island, Hand-colored Postcard, Published by Bryant’s Book Store, 1914, Collection of Brian Brown

Several commercial publishers besides the Albertype Company were also distributing nice views of the island.

Club House, Jekyl(l) Island near Brunswick, Ga., Octochrome Postcard, Circa 1910-1920, Collection of Brian Brown

The Clubhouse features prominently in many of them. The view below, showing Solterra Cottage and its dovecote* on the left and Faith Chapel on the right, is a nice perspective, possibly made from the turret on the clubhouse. *-The dovecote survived the fire and is still standing.

Bird’s Eye View of Jekyl(l) Island, Near Brunswick, Ga. C. T. American Art Postcard, 1914 or earlier, Collection of Brian Brown

Community Baptist Church, Zuta

Zuta takes it name from the Zuta Branch of the Cowpen Swamp, a feature of the Altamaha River floodplain. The swamps and the community are found on both sides of US 341 and defining Zuta proper would be impossible. But it is on the map.

Top Ten Posts of 2022

With nearly a million views, these are our most popular posts of 2022. Thanks for traveling with me and for making all this possible.

#1- House Creek Boils, Wilcox County

#2- Apartment Houses, St. Simons Island

#3- Peches Stand, Putnam County

#4- Elizabeth Durden House, 1840s, Emanuel County

#5- Hunter’s Cafe, 1951, Shellman Bluff

#6- Package Store, Jeff Davis County

#7- Best Biskits by a Dam Site, Hartwell

#8- Flint River Diving Trees, Meriwether County

#9- Amanda America Dickson House, 1871, Hancock County

#10- Stonewall J. Williams Plantation, 1880s, Screven County

Live Oaks of Broadfield Plantation, Glynn County

The grove of Live Oaks (Quercus virginiana) marking the entrance to Hofwyl House and its dependencies at Hofwyl-Broadfield Plantation is one of the great natural public spaces on the Georgia coast.

While the structures are a significant resource, the real attraction for many are the oaks located all over the property. Individually, the trees are objects of awe and wonder; collectively, they’re a natural cathedral.

As is common with many Live Oaks on the coast, some specimens appear to have been uprooted.

These giants are miraculous in their curious ability to grow this way, often living and prospering for centuries.

Spanish Moss is the natural ornament most associated with the Live Oak, and it’s especially abundant here.

There’s also lots of Resurrection Fern (Pleopeltis polypodioides).

Some of these trees are estimated to be between 500-800 years old.

Two are members of the Louisiana Live Oak Society Tree Registry, which documents significant specimens throughout the Southeast.

National Register of Historic Places

Peter Joseph’s Store, Circa 1900, St. Simons Island

This was the general store and boarding house of Peter Joseph, a leader of the historic Black community of South End on St. Simons Island. Built circa 1900, per the Glynn County Historic Resources Report [2009], it was razed circa 2016. The only Peter Joseph I can locate on St. Simons was born in 1903 and died in 1966; if this is the same Peter Joseph, it would mean the store was built by someone else, perhaps a member of his family. I will attempt to update this if I can find out anything more.

These photographs were made in February 2015.

As the images confirm, the structure had long been abandoned when I photographed it. It was an important resource for a long lost community, so I’m glad I had the opportunity to document it.

Strangers Cemetery, St. Simons Island

Officially known as Union Memorial Cemetery, Strangers Cemetery gets its unusual name from those interred here. Former slaves (and their descendants) who toiled on the island’s plantations prior to Emancipation were buried on those properties. The original “strangers” were freedmen who came to the island after the Civil War and worked primarily in sawmills along the Frederica River. Many remained for generations in three thriving black communities: Harrington, Jewtown, and South End, and some were interred here, as they weren’t allowed to bury on the former plantation lands. While most marked graves are in very good condition, a large number of unmarked graves exist, as well.

Among later “strangers” is Mary Elizabeth “Bessie” Sampson Jones (8 February 1902-4 September 1984). She was born in Smithville (Lee County) and never knew her biological father. Her mother moved to an uncle’s farm in nearby Dawson when Bessie was a baby and while there married James Sampson, who was a father figure to Bessie. Of her childhood, she wrote: “I never has went to school a whole term and I didn’t get past the fifth grade; every school day I had to keep other people’s babies and sometimes I had to work in the fields.” Music was always present in Bessie Jones’s childhood. Her mother Julia played the autoharp and James Sampson played numerous instruments by ear. Her grandfather, Jet Sampson, was an accordionist. He was enslaved, along with five brothers, around 1843 and died in 1941 at the age of 105. Listening to his stories and songs, Bessie gained many insights that would inform her later work.

Bessie Jones. on the set of “Music of Williamsburg” film, Williamsburg, Virginia, April 28, 1960. Photo by Alan Lomax. AFC Alan Lomax Collection (AFC 2004/004).

In 1914 a very young Jones gave birth to her first child, Rosalie. The child’s father, Cassius Davis, was a native of the Georgia Sea Islands and had come to the Dawson area seeking farm work. After World War I Bessie lived briefly in Milan and Fitzgerald. Cassius died in Brunswick in 1926. For the next seven years she lived in Florida. In Okeechobee she married George Jones and in 1933 they moved to St. Simons Island. They had two sons: George L. Jones (1935) and Joseph (1937). George died in 1945. After his death Bessie got involved with the Spiritual Singers of Coastal Georgia, perhaps the first group to formally attempt to preserve and perform the slave songs and spirituals of the Sea Island Gullah and Geechee people. It was a great honor for Bessie to have been invited to join the group, as she was not a native of the islands.

Bessie met musicologist and folkorist Alan Lomax in 1959 and a couple of years later he recorded a series of songs, stories, and interviews with her at his apartment in New York City. In 1963, the Georgia Sea Island Singers were established. Lomax arranged a tour that took the group to colleges around the country and a decade of travel followed. They participated in the Poor People’s March in 1968 and appeared at Carnegie Hall, the Newport Folk Festival, Montreal World’s Fair, Central Park, and numerous Smithsonian Folk Life Festivals. In 1976, the Sea Island Singers performed at the inauguration of President Jimmy Carter. In 1982, Mrs. Jones received a National Heritage Fellowship from the National Endowment for the Arts, but died of leukemia later that year.

Peter Stone and Ellen Harold’s profile of Bessie Jones at the Association for Cultural Equity, from which this was condensed, is an excellent source for further reading.

Apartment Houses, St. Simons Island

These structures, likely built in the 1950s, were located behind Bennie’s Red Barn Restaurant in the historic Harrington community on St. Simons Island. They were lost to development by 2020.

My identification of the structures as apartment houses is tentative, as I have been unable to confirm anything about them. I have been told they were built for employees of Sea Island or that they may have been owned by the late Alonza Ramsey (c. 1932-2010), a legendary resident of the Harrington community whose Old Plantation Supper Club was a longtime favorite. I have no idea which, if either, is correct, but the layout of the houses would indicate company housing or rentals.

By the time I documented them in 2017, they appeared to have been abandoned for quite some time and were obviously returning to the elements.

The structures were utilitarian in design and represented modern and practical housing in the mid-20th century.

They were built of cinderblock, like the nearby vernacular church and Masonic lodge.

If I recall correctly, there were 5 or 6 buildings in the oak grove that dominated the neighborhood.

This was one of the largest remaining historic Black resources on St. Simons before it was demolished, even if it didn’t have the elements that many would consider worthy of preservation. Describing the loss of such places, Patrik Jonsson wrote in The Christian Science Monitor in 2002: Blacks once owned 86 percent of St. Simons, but now the small remaining settlements are intertwined with development roads and gated condosWhere small ramshackle villages once stood in the shade of giant live oaks, hacienda-style townhomes now crawl all the way up to the water.

I hope someone will reach out who knows more than I do about this place. There must be some great stories.

Faith Chapel, 1904, Jekyll Island

A non-denominational sanctuary built for the Jekyll Island Club by architect Howard Constable, Faith Chapel is one of the best-known structures in the National Historic Landmark District. It features a window signed and personally installed by Louis Comfort Tiffany and another stained glass panel behind the pulpit depicting the Adoration of the Christ Child designed by Maitland Armstrong and his daughter Helen. The chapel is well-maintained today and is often used for weddings and open for tours at times.

The gargoyles are a copy of those found at Notre Dame de Paris.

Jekyll Island Historic District, National Register of Historic Places + National Historic Landmark

Villa Ospo, 1927, Jekyll Island

Villa Ospo was one of the last structures built in the Jekyll Island Club era. It took its name from the Guale word for either the island, or a village thereon, and has Spanish Eclectic and Italian Renaissance elements.

It was built by architect John Russell Pope* for Walter Jennings (14 September 1858-9 January 1933). Jennings was a member of Skull and Bones at Yale, a Columbia Law School classmate of Theodore Roosevelt, and director of Standard Oil of New Jersey. He was a student of history, as well, and helped successfully lobby the Georgia legislature to correct the long-used spelling ‘Jekyl’ to ‘Jekyll’, as it should have been all along since Oglethorpe named the island for Sir Joseph Jekyll.

*-Notably, Pope was also the architect of the Jefferson Memorial and the National Gallery of Art].

Jennings died here on 9 January 1933. He and his wife were injured in an automobile accident on Oglethorpe Road on 4 January and though a heart attack was listed as his cause of death, it’s possible this was brought on from injuries sustained in the accident.

Jekyll Island Historic District, National Register of Historic Places + National Historic Landmark

Crane Cottage, 1917, Jekyll Island

This Renaissance Revival Mediterranean-influenced “cottage” was built in 1917 for plumbing magnate Richard Teller Crane, Jr., (7 November 1873-7 November 1931). David Adler and Henry C. Dangler were the architects. Dangler died in 1917 and the house wasn’t completed and occupied until early 1919.

It was the largest and most elaborate home ever built on Jekyll Island.

It contained 30 rooms and 17 bathrooms , the pinnacle of modernity at the time.

The grounds and sunken garden are among the most beautifully landscaped public areas on the Georgia coast.

Jekyll Island Historic District, National Register of Historic Places + National Historic Landmark