Among my favorite things to document these days are vernacular headstones. This one, in White Chapel Cemetery, was created to honor Annie Mosely. Her name is spelled Mosly on the marker, but it was likely Mosley. It’s a concrete memorial with handwritten text, and an added decoration. Ms. Mosley was born just after the Civil War and died just before World War II.
I don’t have a history for Piney Green Baptist Church, but it’s a relatively old congregation. There are some noteworthy vernacular memorials in the adjacent cemetery.
There are a couple of wooden grave markers, of a style broadly referred to as “head-and-shoulders”. There are two lying on the ground in front of this example.
The wooden marker has been painted.
There are also the usual concrete memorials, with stenciled and handwritten text.
This marker is a good example of the handwritten variety, and has a shape and form imagined by its maker. I don’t think a form was used.
As this side view illustrates, a wedge of concrete was placed at the front for support; this is an unusual modification.
The crack in this handwritten memorial is indicative of just how vulnerable these vernacular objects are.
This grave is adorned with a pot, which had some connection to the decedent. This remains a common practice in many African-American cemeteries.
Charles Hicks was born enslaved to a large landowner named Page, of Wrightsville, on 7 July 1838, and was first known as Charles Page. Though largely unknown today, he was well-known by veterans of both sides of the Civil War during his lifetime through his involvement in veterans groups. Modern scholarship makes it clear that enslaved men didn’t “volunteer” for service for the Confederacy, though quite a few assisted their enslavers on the battlefield. As a result, it has been suggested that Mr. Hicks “served” the Confederacy. Since he was personally proud of his superlative achievement, I will not malign that fact, but he had no choice. He has often been held up as an example of Black support for the Confederacy, and but I believe the full story should be available.
Charles’s first enslaver was known for his cruelty and his early years were difficult. Page sold Charles to to James Henry Hicks in 1860, at which time he became Charles Hicks. According to Findagrave, Charles went off to war as a servant with his owner’s son, Lt. James H. Hicks Jr., in 1861. Lt. Hicks served with the 14th Georgia, under the command of Robert E. Lee and he and Charles were present at Antietam, Fredericksburg, Chancellorsville, Gettysburg, the Wilderness, and Cold Harbor. When Lt. Hicks was wounded in 1864, he and Charles returned to Georgia. Soon thereafter, Hicks went back to Virginia, leaving Charles behind.
The details aren’t clear, but Charles left the farm in Johnson County and was intercepted by Union troops and conscripted into the 110th United States Colored Volunteer Infantry. This unit served with Sherman during the occupation of Savannah. Upon his release from service, Hicks, by now a free man, returned to Johnson County and lived for a time near his old master. He moved to a farm near Lyons in the 1890s. He was granted a federal pension in 1912 and traveled the next year to the 50th Anniversary of the Battle of Gettysburg as an honorary member of the United Confederate Veterans. He returned in 1938 for the 75th anniversary. He was also a member of the Grand Army of the Republic, the Union equivalent of the Confederate association, and attended numerous reunions over the years.
He established the first known school for Black children in Toombs County in the early 1930s, donated the land for and was very active in Jordan Stream Baptist Church, where the school was located. According to his obituary, Hicks “was a substantial landowner and operated his farm until after he was a hundred years old when sons gave him such assistance as he needed…”
He was memorialized on the African-American Civil War Memorial in Washington in 1998. I hope this man, who was a shining example of reconciliation and was a living embodiment of the Civil War, is better remembered today. [His family operates an excellent website about his life, but I’m unable to share at the moment because of certificate issues. I’ll update when the certificate is clear; it’s likely a temporary issue.]
This slab at the foot of his grave reads: In Memory of Charles Hicks Who Served in Co. F. 14th GA Inf Reg CSA AND Co C 110th U S Colored Vol Infantry – 1861-1866 – Only Georgia Veteran Known To Be a Member of Both the United Confederate Veterans and Grand Army of the Republic Organizations. It’s probably that there were a few other Black men who “served” both sides, but it’s understood that he was the only one in Georgia.
Mt. Olive Primitive Baptist Church, near Manor, is the 14th Crawfordite meeting house I have documented in Georgia, the culmination of work that began well over a decade ago.
In that time, I’ve come to consider them an architectural and cultural treasure and admire them as landmarks of vernacular architecture.
As I’ve said before, they inspire even those without religion in their simplicity and practicality, and architecturally, are examples of sound construction and periodic restoration in the traditional sense.
The churches are all isolated but form a collective resource nonetheless.
Some are still in use while others are not, but in one way or another, they are all watched over by the families with connections to the congregations.
The Crawfordites, whom I’ve already discussed at length elsewhere on this website, were/are a subset of the Primitive Baptists who began forming congregations in the 1860s and 1870s, according to historian Dr. John G. Crowley.
Thomasville’s Old Cemetery dates to at least 1842, based on burial dates, and is a microcosm of 19th century funerary art, ranging from exceptional vernacular memorials to grand marble obelisks and monuments. It is said to be the oldest cemetery in Thomas County, incorrectly, but it may be the oldest in Thomasville proper. The deed conveying the cemetery to the city of Thomasville is dated 1858. Nearly 40 Confederate veterans, some in unmarked graves, are buried here, as well.
Isaac Mitchell was a prominent planter and large slaveholder in the area. In 1838, he sold a thousand-acre plantation with two miles of shoreline on Lake Iamonia, near Tallahassee. He died during the Civil War, and his son, who served in Co. F, 29th Georgia Regiment, died a few years later. Their monument, featuring ruined columns topped with wreaths, is one of the finest in the cemetery.
This beautiful Victorian monument is a bit of a mystery. I couldn’t find a name on it, but there’s an adjacent government-issued marker for Sgt. James A. McLendon, who served in Co. F., 50th Georgia Infantry.
The gate decoration here was a common design. There’s a very similar example at the Isaac Joseph House in Columbus. The name on that gate appears to be the name of the maker, so I wonder if this is not the maker’s name, as well. I’ve only been able to discern that it’s either Branner or Brannem, neither of which I find in the burial list for the Old Cemetery. Another mystery, at least for now.
This is one of two or three seashell graves in the Old Cemetery, this one being in the best state of preservation. In fact, it’s one of the nicest I’ve seen. There is a government-issued memorial at the foot of the grave that notes Captain Henderson served with Co. F, 29th Georgia Infantry.
This table grave is an interesting mix of vernacular and formal funerary art. The handmade bricks, likely made by enslaved laborers, are topped by a professionally made marble slab. The girls were both very young, and since they died around the same time, were likely afflicted with the same illness.
There are numerous brick crypts and slabs in the Old Cemetery.
Most of these are unidentified, and therefore I’m just showing them for the skill and craft involved in their production.
Some of the brick in the memorials appears to be handmade, and I would guess that some were made by enslaved people.
The gravestone below is made of slate, an uncommon material in Georgia. I’ve rarely found such memorials away from the coast.
The Seixas family were Thomas County pioneers. The Seixas House, circa 1835, is thought to be the oldest one-story house in Thomasville.
The gazebo is a prominent landmark in the Old Cemetery.
This cemetery, now commonly referred to as the Flipper Cemetery, is one of the oldest municipal burial grounds for African-Americans in Thomasville. Also known as the old Magnolia Cemetery, it’s distinguished by methodical plantings of oaks and other shade trees and is a well-maintained historical resource.
Significantly, it’s the final resting place of Lt. Henry Ossian Flipper, the first Black graduate of West Point. Lt. Flipper died in Atlanta in 1940 and was buried in South View Cemetery. In February 1978, his remains were exhumed and he was re-interred in his hometown.
But it is also important for the numerous other prominent Black citizens of 19th-century Thomasville, including Rev. Jacob Wade, the first pastor of the African Baptist Church. Additionally, there are a few important vernacular monuments present, most importantly the three crosses and the Ruis obelisk. There are also quite a few typical Victorian and early-20th century memorials.
The birth and death dates are unknown, and with Dall Mitchell and Benetta Lowry, the names are not certain. Those two crosses have been repaired and it’s possible that information was lost. They are quite unusual and vernacular landmarks.
This shows the loss of part of the letters from the original monument, which was obviously taller than it is in its present configuration, and the challenge of identification.
The Ruis-Wiggs obelisk is a concrete vernacular copy of other monuments common at the time, usually accomplished in marble or granite.
Margaret and Mattie Ruis (1859 or 1869-1911) are memorialized on the obelisk, as well as Shep W. Wiggs (birth and death dates indiscernible).
There are numerous brick grave markers like the one seen above. Most do not identify the decedent and therefore present a great challenge for identification.
This is one of several damaged memorials in Flipper Cemetery that have been repaired.
The presence of so many manufactured headstones in a Black cemetery of this era is an indication of a thriving and growing Black middle class.
It appears, considering all the broken memorials, that the cemetery was once very poorly maintained, but thankfully, someone took the time and care to repair nearly all of the damaged stones.
Also buried within the family plot, along with Lt. Henry O. Flipper, are his parents, J. Festus Flipper (1832-12 December 1918) and Isabella Buckhalter Flipper (1837-21 August 1887).
Located in the Red Hills southwest of Thomasville, Springhill Methodist is the oldest church in Thomas County. The vernacular Greek Revival structure, built circa 1833, was restored by Charlie Howard Whitney in 2010. The congregation dates to 1822, when a log church was built by pioneers Peter McKinnon, Lockland Morrison, Angus Morrison, and one other man, whose name is lost to the ages.
John Ferrell, who wrote a history of the congregation in 1924, notes that regular services began in 1826. By the 1840s, the congregation numbered nearly 500 members. Over time, it dwindled to point that regular services weren’t feasible, but it still meets on fifth Sundays, a few times a year, and is available for weddings and funerals.
The historic cemetery is a fascinating peek into the early history of the area.
The tomb of Isabella Graham Morrison is the most notable memorial in the cemetery, not only because Mrs. Morrison was the wife of one of the founders of the congregation, Angus Morrison (1783-1865) but for its unusual appearance. Isabella, a native of North Carolina, and Angus Morrison, Sr., were married on 13 January 1830 in Telfair County and they had seven children. After Isabella’s death, Angus married Mary A. Strange (1818-1919) in 1852 and to that union two more children were born to Angus Morrison. He died at Sopchoppy, Florida, and is buried there. The unsigned but finely executed marble marker on the front reads: This tomb was erected to the memory of Isabella Morrison – consort of Angus Morrison – Who died in the triumphs of a gospel faith June the 9th 1843 aged 30 years – Leaving a husband, children, numerous relatives to mourn the loss of an affectionate companion, a fond dutiful mother, and faithful friend who always made it her motto in life to live the life of the righteous that her latter end might be as his.
The most curious grave is a concrete slab featuring an unusual medallion. The identity of the decedent has been obliterated by time, and it appears someone painted the medallion to make it distinguishable. It was obviously made from a mold of some kind; it features a whimsical water bird, wearing glasses and a hat, with a coconut-laden palm in the background. I first though it to be a stork but now I’m not sure. If anyone knows the story of this one, please get in touch.
Zinc headstones (known to taphophiles and cemetery tourists as ‘zinkys’) were very trendy in the late 1800s, and were advertised to last as long as marble and other stone memorials. Many have survived nicely and can be found in cemeteries throughout the country, thanks to the excellent marketing of their primary manufacturer, the Monumental Bronze Company.
Margaret McIntosh was a native of a pioneer family of Brooks County, according to her obituary. She and James Ferrell were married in 1853 and had five children. Two died of tuberculosis, or consumption as it was known at the time. The disease was also noted as the cause of death for Margaret.
James Farrell outlived his wife Margaret by about two years. He was the son of Hutchins and Celia Morgan Ferrell.
It’s not unusual to find old cemeteries stretched beyond the boundaries of their more formal current configurations, and in the woods around historic Providence Methodist Church near Traveler’s Rest there are many vernacular headstones scattered along the fringes.
It’s safe to presume that these are among the oldest memorials in the cemetery, which dates to 1857. Local stone, be it granite, gneiss, or something similar, was readily available in the creeks and valleys near Providence, and as such was the logical material for marking the final resting places of some of its earliest members.
The marker pictured above is a great example of such a stone. Many were placed “as-is” but this one appears to have had a bit of finishing.
The Robinson family plot contains the most significant vernacular marker at Providence. Two of the three gravestones are slightly stylized, as as seen in this view, and contain text on the back side, although it’s nearly unreadable now.
The most important Robinson marker is this “Tree of Life” marking the grave of a toddler, M. B. Robinson. Findagrave identifies it by the name on the stone, which is Robson, but I believe this to be a phonetic spelling, since the more modern gravestone in the plot spells the name “Robinson”. We may never know much about these people, but they left behind a beautiful work of art with this enduring piece of folk art.
There is very little history to be found in regards to New Harmony Methodist Church. Our friends at Historic Rural Churches of Georgia date the structure to 1890, tentatively, but two local surveys I’ve consulted date it to 1870. Both dates are believable, since this style church was the most common in Georgia in the last half of the 19th century. These surveys also point out that it rests on a newer foundation, which is obvious.
The cemetery is quite interesting, as many of the graves are reburials, moved here when the Mt. Zion Cemetery was inundated by the creation of Lake Hartwell in May 1961.
There are more historic interments at New Harmony, perhaps, but the most fascinating marker is this yellow brick structure. It’s not quite a crypt and not quite a grave house. The brick is probably local to the area.
As a fan of vernacular monuments, I really liked this cross.
Elbert County has always promoted Dan Tucker’s gravesite to visitors based on the assumption that the Daniel Tucker buried here is the “Old Dan Tucker” of 19th-century American folklore. There is no academic or even incidental agreement on this assertion, but it’s a great story, and the public access trail to the historic Tucker Cemetery is one of the nicest walks around. And as a big fan of vernacular gravestones, I’d suggest a visit to others who appreciate this underappreciated art form. Kudos to Elbert County for maintaining it so nicely. It’s a low rise path surrounded for most of its short distance by wooded slopes descending into Richard B. Russell Lake. The small cemetery has several other markers, three of which are identified.
Since the origins of the standard folk song “Old Dan Tucker” are unclear and may never be confirmed, there is no way of proving the identity of its namesake. Some credit the song to Dan Emmett, who popularized blackface minstrel shows and composed the song “Dixie”, but it has also been credited to J. R. Jenkins, and Henry Russell. Dan Emmett told his biographer that he wrote the song circa 1830-1821 when he was 15 years old. “Old Dan Tucker” was first published as sheet music in 1843. The earliest versions (there are many) employed Black Vernacular English, portrayed Dan Tucker as a drunken troublemaker, and breaks with many social conventions. He was a Black man in these iterations. At least four versions with different lyrics and identities for Tucker were published in the 19th century. Some suggest it’s based on a notorious sea captain and widely despised colonist named Daniel Tucker. This seems a bit far-fetched to me. More likely, as has been suggested, it’s derived from earlier minstrel tunes.
Elbert County’s Dan Tucker was Daniel Tucker (14 February 1740-7 April 1818), a Virginia native who served as a captain of the Amelia County Militia during the Revolutionary War. For his service, he was awarded a land grant on the Georgia frontier. He developed a successful plantation, Point Lookout, with an enslaved workforce, ran a ferry on the Savannah River, and served as a minister, particularly known, through oral tradition, “…to bring Christianity to those he enslaved.” He was a neighbor and good friend of Governor Stephen Heard.
A 1957 Georgia Historical Marker, which is no longer standing, claimed this about Daniel Tucker: “…Esteemed by his fellow planters, he was loved by the Negroes who composed the many verses of the famous ditty, “Old Dan Tucker,” a favorite song at corn shuckings and other social gatherings.” There is no evidence whatsoever to support this claim, other than local tradition. While I never dismiss it outright, oral history is spotty at best. I mean no ill will in pointing this out, and I enjoyed my visit to Dan Tucker’s grave. I never gave it much thought when I first heard it on The Andy Griffith Show and Little House on the Prairie as a boy.
There are several unidentified stones in the cemetery, all relatives or in-laws of Daniel Tucker as best I can discern.
Daniel Tucker’s grave is also quite primitive.
A newer military-issued marker has been placed in recent years, and it’s a good thing, as these memorials are all fading fast.
