Tag Archives: Georgia Black History

Pierce Office Building, Circa 1920, Columbus

Historic Pierce Office Building, a Black landmark on Ninth Street in Columbus, Georgia, showcasing red brick architecture and large windows.

Richard A. Pierce was the first to develop 9th Street as an exclusive business district for the Black community. The intersection of 9th Street and 5th Avenue was called the Magic Corner for its central location and the Pierce Building was known as the Ninth Street Mecca. According to the Colored Columbus Directory and Year Book of 1926-1927, Richard A. Pierce (1877-1934) was a highly successful entrepreneur. He was the owner of this structure, which housed the Ninth Street Drug Store, an insurance office, a dental office, Ethel Spencer’s piano school, Anne Spencer’s Accessory Store, and the Pierce Auditorium, a third floor entertainment space which featured live dances and other entertainment. He also owned the Pierce Pocket Billiard Parlor and more than eighty tenant dwellings. He was the largest Black property owner in Columbus in his time.

Like the neighboring Sconiers Building, the Pierce Office Building is a landmark of Black Columbus and should be considered for inclusion in the National Register of Historic Places. Richard Pierce and John L. Sconiers were pioneers in Black business in the Jim Crow era, and succeeded in spite of the challenges that were inherent to their interests.

Sconiers Building, Circa 1921, Columbus

Historic Sconiers Building in Columbus, Georgia, featuring a florist storefront and several upper-story windows. The three-story brick building is situated at the corner of Ninth Street and Fifth Avenue, showcasing its architectural significance.

The corner of 9th Street and 5th Avenue was the commercial and cultural center of Black Columbus throughout much of the 20th century in an area known as the Liberty District. John Leonard Sconiers, Sr., (1884-1959) was one of its biggest boosters. His Sconiers Funeral Home, originally located in the small house to the left of the Sconiers Building, was established here circa 1916 and is the oldest Black-owned business in Columbus.

The corner space on the ground floor of the Sconiers Building was once occupied by the Laborers Savings and Loan Company, of which Mr. Sconiers served as president. Other commercial businesses occupied the two remaining ground spaces. More business and professional offices, including the Atlanta Life Insurance Company, occupied the second floor, and the third floor served as Sconiers Hall, an auditorium used for entertainment, conventions, assemblies, and lodge meetings. Later businesses included the Afro-American Life Insurance Company, Guaranty Life Insurance Company, barber Charles Johnson, and beautician Eula Jones. These businesses were central to the development of a Black middle class in Columbus and this building is an important link to that history.

First African Baptist Church, 1915, Columbus

A low-angle view of the First African Baptist Church's brick facade, showcasing its tall towers and windows against a blue sky.

First African Baptist Church is the oldest Black congregation in Columbus. In 1840, after 11 years of worshiping with White congregants of Ephesus Baptist Church, enslaved members, along with free people of color, formed the African Baptist Church.

Front entrance of the First African Baptist Church featuring three double doors flanked by three large arched entries and red brick walls.

They first met in the former home of Ephesus Baptist, built in 1830 and vacated for a larger sanctuary. White ministers would serve the African Baptist Church until the early 1860s. In 1862, a gift to the African Baptist Church from Ephesus allowed construction of a new chapel. The first Black minister was Rev. Harry Watson.

Close-up of a stained glass window displaying the text 'FIRST AFRICAN BAPTIST CHURCH' above a set of double doors.

A fire claimed the new church in the 1870s and a brick structure replaced it in 1881. The new church was located at 6th Avenue and 11th Street and the name was changed to Sixth Avenue Baptist Church. In the 1880s and 1890s, discord among members led to the formation of Metropolitan Baptist Church and Friendship Baptist Church.

Exterior view of First African Baptist Church featuring a brick facade, pointed arch windows, and a decorative fountain in the foreground.

The present church was built in 1915, during the pastorate of Rev. J. H. Carter. It grew from the membership of earlier and disparate congregations and was christened First African Baptist Church. In one form or another, it has served the Black community of Columbus for the better part of two centuries. The “Mother of the Blues”, Gertrude Pridgett (later known as Ma Rainey) was baptized at First African Baptist.

Exterior view of First African Baptist Church, a large red brick building with two prominent towers, featuring arched windows and doorways.

National Register of Historic Places

First African Baptist Church Parsonage, 1916, Columbus

A historic white wooden house with a front porch, surrounded by neatly trimmed hedges and grass, located near a red brick building under a clear blue sky.

This structure is first listed in the Columbus city directory in 1916 as the parsonage for the adjacent First African Baptist Church. The Queen Anne architecture suggests a slightly earlier construction date (circa 1880s-1890s), but this is all the information I’ve been able to locate.

National Register of Historic Places

Alma Thomas House, Circa 1889, Columbus

A Queen Anne house with a light yellow exterior, decorative trim, and a front porch surrounded by a white picket fence, located on a grassy lot.

This outstanding Queen Anne cottage in the Rose Hill neighborhood of Columbus was the childhood home of Alma Woodsey Thomas (1891-1978), a nationally prominent African-American artist and cultural icon. Interestingly, the home was located in an otherwise exclusively white neighborhood. A 2001 fire damaged the house but it was restored soon thereafter.

Family tradition states that the manuscript for The Souls of Black Folk, by W.E.B. Dubois, was typed on the front porch of the Thomas home by Alma Thomas’s cousin, Inez, who was Dubois’s secretary. Alma’s parents, Amelia Cantey (?-1938) and John Harris Thomas (1860-1942), were members of Columbus’s small but prosperous upper middle class Black community. Nonetheless, the family moved to Washington, D. C., in 1907, to escape the racial tensions of the Jim Crow South.

Alma Thomas enrolled at Howard University and in 1924 was that school’s first fine arts graduate. She later earned her masters degree from Columbia University. Thomas had a successful career as a teacher at Washington’s Shaw Junior High School for 35 years. Among her accomplishments were the organization of an Arts League and the development of a program to create art galleries within local schools. In 1943, she helped establish the Barnett Aden Gallery, one of the first Black-owned galleries in the United States. Ms. Thomas retired from teaching in 1960 to focus on her own art, focusing on abstraction as a member of the Washington Colorist School. A significant figure in Washington’s art world, she was associated with the Little Paris Group and Howard University’s Gallery of Art.

Thomas was the first Black woman to have a solo show at the Whitney Museum and the first to have a work in the White House permanent collection. Her work is collected by the National Gallery of Art, Whitney Museum, Corcoran Gallery, and the Smithsonian Institution, among many other venerable institutions. NASA owns several of Thomas’ paintings from her “Space” series.

National Register of Historic Places

John W. Woolfolk House, Circa 1835, Columbus

The antebellum Greek Revival plantation home of John Woolfolk in Wynnton, featuring tall columns, a centered entrance with steps, and surrounded by greenery.

The antebellum Greek Revival plantation home of John Woolfolk (1781-1861) in Wynnton is one of the most significant surviving houses of early Columbus. Woolfolk and William L. Wynn were the first settlers of the Wynnton area. Woolfolk, a native of Virginia, first came to Augusta before he began acquiring land in Muscogee County in the 1820s. He owned large acreage on the north side of Wynnton Road and purchased the land on which he built this house in 1832, the same year he was elected to the Georgia legislature. The house is important in terms of architectural history, but also African-American history, as it is estimated that approximately 180 enslaved people were held here before Emancipation, according to historian Calvin Schermerhorn’s The Business of Slavery and the Rise of American Capitalism 1815-1860. With his nephew, Austin Woolfolk he was a slave trader, who enslaved nearly 700 people in total. This gave rise to an urban legend suggesting the one of Woolfolk’s sons hunted down and killed slaves and buried them on the grounds or in the walls of the house, known in the legend as the House of a Thousand Cadavers. Of course, considering the value of the enslaved as property, this is highly unlikely. Perhaps the Woolfolk son was just particularly cruel.

Antebellum Greek Revival plantation home of John Woolfolk in Wynnton (Columbus), Georgia, featuring classical columns and a vintage car in the foreground. From Domestic Architecture of the Early American Republic, the Greek Revival by Howard Major, 1926.
Plate 119 from Domestic Architecture of the Early American Republic, the Greek Revival by Howard Major. J. B. Lippincott, Philadelphia, 1926. Public domain. No known restrictions.

Woolfolk’s daughters inherited his estate, which was already being subdivided to accommodate the growth of Wynnton, when he died in 1861. The property later passed to Judge William A. Little and was for a time known as the Little Place. In 1925, it was owned by Minnie J. Flournoy, who transformed it into the Colonial Apartments. She removed the original side porticoes, which have since been replaced, and added one-story wings to the house. This configuration (above) was documented in Howard Major’s seminal work Domestic Architecture of the Early American Republic: The Greek Revival (Philadelphia, J. B. Lippincott, 1926).

A historic Greek Revival plantation home surrounded by trees, showcasing its white exterior and tall columns.

National Register of Historic Places

Hineshaw Rosenwald School, 1931, Hinesville

Exterior view of the abandoned Hinesville Shaw Rosenwald School, featuring brick walls, boarded windows, and a damaged roof, surrounded by grass and trees.

Construction of the Hinesville Shaw Rosenwald School, as it was originally known, began in 1930 and was completed in 1931, fulfilling the goal of the Rosenwald Fund to provide state-of-the-art schools to black children in the segregated Jim Crow South who otherwise would not have had access to quality education. The Trustees of the Hinesville Colored Schools (Alonzo Simpson, J. H. Gause, and Robert Duggan) helped secure the local funding required to match the gift of the Rosenwald Fund.

Sign on the brick wall of Hineshaw Elementary School, displaying the school's name in weathered metal letters.

The Rosenwald School was originally a comprehensive facility housing grades 1-11. I’m unsure when it became an elementary school, but the addition of a wing to the original Rosenwald structure, and a later separate building, were likely constructed during the era of Equalization Schools (1950s). It has long been known as the Hineshaw School/Hineshaw Elementary School. Neighborhood resident and businesswoman Rebecca Hargrove Shipman sold property adjacent to the school for the nominal fee of $1 to ensure street access to the campus. Two of those streets bear her name today, Rebecca Street and Shipman Avenue. Trustee J. H. Gause was also honored with a street bearing his name.

Abandoned Hinesville Shaw Rosenwald School building, surrounded by overgrown vegetation and tall trees, showcasing its deteriorating condition.

The campus remained in use in one form or another until the early 2000s but has been abandoned for many years. Neglect and storm damage have endangered the building and immediate stabilization is needed. It has recently been announced that Hinesville Downtown Development Authority is planning to restore the Rosenwald School.

William Scarbrough House, 1819, Savannah

Front view of the historic William Scarbrough House, featuring Greek Revival architecture, columns, and elegant landscaping.

Though it has been extensively modified, the William Scarbrough House is nonetheless a significant example of Greek Revival domestic architecture in Savannah. Built in 1819, it was designed by English architect William Jay, the most accomplished architect of his time in Savannah. Not long after its completion, the Scarbroughs hosted President James Monroe when he visited Savannah.

William Scarbrough (1776-1838) was a wealthy shipping merchant and the first president of the Savannah Steamship Company. He was an investor in the SS Savannah, which, as the first steamship to cross the Atlantic Ocean, in 1819, was internationally famous and a source of great pride to its namesake city. Unfortunately, the Savannah‘s glory was short-lived and an initial lack of interest in this new mode of travel led to financial ruin for its investors, including Scarbrough. After being converted to a sailing vessel, the Savannah sunk off Long Island in 1821. William Scarbrough went into a deep depression around this time and was essentially bankrupt, though a wealthy relative who purchased his home allowed him to remain there. He worked with Upper Darien Steam Rice and Saw Mill in McIntosh County in the late 1820s and early 1830s, returning to Savannah in 1835. He died in New York City while visiting his son-in-law, Godfrey Barnsley, in 1838.

From 1873-1962, the Scarbrough House was owned by the City of Savannah. During this time, the West Broad Street Colored School was housed here.

The Scarbrough House is now home to the Ships of the Sea Maritime Museum.

National Historic Landmark

Haitian Monument, 2009, Savannah

A bronze monument depicting Haitian soldiers, known as 'Les Chasseurs Volontaires de Saint Domingue', commemorating their service during the American Revolution, set in Franklin Square.
Les Chasseurs Volontaires de Saint Domingue, one of Savannah’s newest monuments, and one of its most significant acknowledgements of the city’s early Black history

The enthralling Haitian monument in Franklin Square, also known as “Les Chasseurs Volontaires de Saint Domingue”, is one of the most imposing in the city and one of the newest. It is the work of the late sculptor, James Mastin and commemorates the service of a regiment of Haitian soldiers who fought for the colonists during the American Revolution. It was installed in 2007 and the last statue added in 2009.

A granite monument in Franklin Square commemorating the Haitian soldiers known as 'Les Chasseurs Volontaires de Saint Domingue' who fought in the American Revolution, featuring sculptures of soldiers and inscriptions detailing their contributions.
A general view of the monument from the east

The octagonal base of the monument contains text on each panel:

(West face)
In its fourth year, the American Revolution had become an international conflict. Rebelling American Colonies and their French allies attempted to capture Savannah from the British in 1779. Haitian soldiers of African descent were part of the Allied forces. Following the battle, many of these Haitians were diverted to other military duties, returning to their homes years later, if at all. Several veterans of the campaign became leaders of the movement that made Haiti the second nation in the Western Hemisphere to throw off the yoke of European colonialism.

(Southwest face)
Although hundreds of other “Chasseurs Volontaires” remain anonymous today, a number of them are documented and listed below.
Pierre Astrel; Louis Jacques Beavais; Jean-Baptiste Mars Belley; Martial Besse; Guillaume Bleck; Pierre Cange; Jean- Baptiste Chavannes; Henri Christophe; Pierre Faubert; Laurent Férou; Jean-Louis Froumentaine; Barthélemy-Médor Icard; Gédéon Jourdan; Jean-Pierre Lambert; Jean-Baptiste Léveillé Christophe Mornet; Pierre Obas; Luc-Vincent Oliver; Pierre Pinchinat; Jean Piverger; Andre Riguad; Césaire Savary; Pierre Tessier; Jérome Thoby; Jean-Louis Villate

We Honor All Of Their Collective Sacrifices, Known And Unknown.

(South face)
Acknowledging the deeds of “Les Chasseurs Volontaires de Saint Domingue” at Savannah, American Secretary Of State Cordell Hull dedicated a commemorative plaque on April 25, 1944, at the Cathedral in Saint Marc, Haiti, with these words:
“Nous Payons Aujourd’hui Tribut Au Courage Et à L’Espirit des Volontaires Haitiens de 1779 Qui Risquèrent Leurs Vies Pour La Cause de La Liberté Dans Les Amériques.”
“Today we pay tribute to the courage and spirit of those Haitian Volunteers who in 1779, risked their lives in the cause of American Liberty.”

(Southeast face)
In the Battle of Savannah on October 9, 1779, “Les Chasseurs Volontaires de Saint Domingue,” our forefathers, fought alongside the American Army of General Benjamin Lincoln. Distinguishing themselves by their bravery, as part of the reserve, they provided cover during the retreat of American and French Allies, saving many lives by deterring a fierce counter attack of defending British troops.

(East face)
In the fall of 1779, over 500 “Chasseurs Volontaires” sailed from Saint Domingue, the modern island of Haiti. soldiers of African descent, “Les Chasseurs Volontaires de Saint Domingue,” left their families to participate in the Georgia Campaign, under French commander Charles Henri d’Estaing.

(Northeast face)
The drummer represents young Henri Christophe, who participated in the October 9, 1779 Battle of Savannah. Christophe later became a leader in the struggle for Haitian Independence from French colonial rule, ending in 1804. A commander of the Haitian army, he became King of Haiti, being among the first heads of state of African descent in the Western Hemisphere.

(North face)
The largest unit of soldiers of African descent who fought in the American Revolution was the brave “Les Chasseurs Volontaires de Saint Domingue” from Haiti. This regiment consisted of free men who volunteered for a campaign to capture Savannah from the British in 1779. Their sacrifice reminds us that men of African descent were also present on many other battlefields during the Revolution.

(Northwest face)
A Project of the Haitian American Historical Society, 2001- 2007:
Board of Directors
(List of 13 members)

A bronze statue of a Haitian drummer from the monument 'Les Chasseurs Volontaires de Saint Domingue', depicting him playing a drum in a military uniform with trees in the background.
The young drummer represents Henri Christophe, who participated in the Battle of Savannah and went on to become King of Haiti.

Savannah Historic District, National Historic Landmark

First African Baptist Church, 1859, Savannah

Exterior view of the First African Baptist Church in Savannah, showcasing its historic architecture. It is one of the oldest Black congregations in North America.
Savannah First African Baptist Church was organized in 1773 and built this historic chapel in 1859. It is one of the oldest Black congregations in North America.

Though the claim to “oldest Black congregation in North America” is a source of debate, Savannah’s iconic First African Baptist Church is definitely among the oldest.

The following history, shared from their website, notes: “First African Baptist Church (FABC) was organized in 1773 under the leadership of Reverend George Leile. The 1773 organization date for the church makes it clear that FABC is older than the United States (1776).  In May of 1775 Rev. Leile was ordained as the pastor and December of 1777 the church was officially constituted as a body of organized believers.  Four converts Rev. Andrew Bryan, his wife, Hannah Bryan, Kate Hogg, and Hagar Simpson would form a part of the nucleus of First African Baptist Church’s early membership.”

In 1782, rather than risk reenslavement, Pastor Leile left with the British when Savannah was evacuated and migrated to Jamaica.  He became the first American missionary, 30 years before Adoniram Judson left for Burma. He was also the first Baptist missionary in Jamaica.”

Under the leadership of the 3rd Pastor Reverend Andrew C. Marshall, the congregation obtained the property where the present sanctuary stands. Reverend Marshall also organized the first black Sunday School in North America and changed the name of the church from “First Colored Baptist” to “First African Baptist”. The sanctuary was completed in 1859 under the direction of the 4th Pastor, Reverend William J. Campbell.”

March Haynes, a deacon of the church, enlisted in the Civil War on the Union side and did valiant service. He was active in helping captive Africans to escape to the Union side, where they enjoyed freedom. Deacon Haynes was an unsung hero of the movement of freedom known popularly as the “Underground Railroad”.”

First African Baptist Church has been a place of leadership and service since its inception. Reverend Emmanuel King Love, 6th Pastor, led the movement to establish Savannah State University, formerly known as Georgia State Industrial College for Colored Youth. Rev. Love also played a big role in the establishment of Morehouse College in Atlanta, GA; Paine College in Augusta, GA.”

Tours of the Savannah First African Baptist Church are conducted six days per week and are quite popular with visitors.

Savannah Historic District, National Historic Landmark