Tag Archives: Georgia Sculpture

Cedar Lane Cemetery, Hardwick

Three historic cemeteries (and two non-historic) are associated with the property around Central State Hospital, but without the efforts of employees who felt the lives of those who lived and died on these grounds deserved a dignified resting place, they would have most likely been lost to neglect. This post will focus on Cedar Lane Cemetery, which was historically known as the Asylum Cemetery. Within its 18+ acres are marble grave markers dating back as far as 1854. The exact date the cemetery was begun is unknown, but it was likely the late 1840s or early 1850s. The earliest burials of institutionalized people of the State Lunatic Asylum (as Central State Hospital was known at the time) were in Memory Hill Cemetery.

Thanks to the efforts of Bud Merritt and numerous volunteers, these metal “headboard markers” have been righted after many were buried over the years by bad management practices. I have talked extensively with Mr. Merritt about the process of “recovering” the cemetery and though he seeks no publicity for this enormous task, his insight and subsequent work on having the Central State Cemeteries added to the National Register of Historic Places, was crucial to their survival. Some of the markers are in their correct places, while others are not. All the markers feature a number that corresponded to a patient or prisoner’s name. It is a somber display, but makes one think of the conditions of those souls who spent large parts of their lives here.

At this time, I believe Cedar Lane is the only accessible of the Central State cemeteries. Typical of the time, African-American residents of Central State were segregated, even in death, and were buried in a cemetery of similar appearance.

As part of the process of reclaiming this sacred ground, a statue was commissioned and stands at the end of the lane of cedar trees which give the cemetery its modern name.

It was created in 2001by Don Haugen, a prominent sculptor who did commissions for U. S. presidents and other important figures. It is titled Angel of Milledgeville.

Central State Cemeteries, National Register of Historic Places

Recycled Sculptures at Sunrise Farm, Warren County

These recycled iron/scrap sculptures represent mythological and real creatures. I’m not sure who the artist is, but it may be farm owner Mark Chalker. You can’t help but notice them as you drive past.

Sea Horse

Sea Turtles

Octopus

Phoenix, or Firebird

It’s hard to pick a favorite, but the Phoenix is mine. (The octopus came in a close second).

Iron Horse, 1954, Oconee County

Sculptor Abbott Pattison designed the 2-ton, 12-foot Pegasus Without Wings in 1954. The work was first sited at Reed Hall, but was immediately unpopular with students, who attempted to melt it by burning tires beneath it. The protest was so unwieldy that the fire department had to turn their hoses on the estimated 700 students to gain control of the situation. As a result of the controversy, the sculpture was removed, stored for a time in a warehouse, and in 1959 transported by night to a field owned by UGA horticulture professor L. C. Curtis near the Oconee-Greene County line. The “Iron Horse” stands here today, and visiting it has become a rite of passage for many UGA students . I met two, who extolled the benefits of visiting the countryside and their love of the sculpture, while I was photographing.

The sculpture has become perhaps the biggest tourist attraction in Oconee County and curious visitors from all over stop by to pay homage these days. The sculpture can be hard to spot when the surrounding fields are full of corn or sunflowers, but a crude parking lot off the side of Georgia Highway 15 across from a UGA sign identifying the location as the ‘Iron Horse Plant Sciences Farm’ lets you know you’re in the right place. Recently, the fate of the sculpture has become unclear, as the family who owns it wishes to transfer ownership back to the university, while keeping it on the farm. The university doesn’t want ownership unless they can return it to the campus. I think nearly everyone who loves the Iron Horse would agree that it should stay just where it is. Hopefully, they can figure it out.

Ford Monument, Cuthbert

Cuthbert might be the last place one would expect to find an exquisite copy of Michelangelo’s Night, but it’s an unmistakable presence just inside the entrance to historic Rosedale Cemetery. It’s one of the finest examples of anonymous public art to be found in Georgia.

It marks the graves of Aaron Lane Ford (1903-1983) and his wife Gertrude Castellow Ford (1913-1996). Ford was a lifelong Mississippian and represented that state in Congress from 1935-1943. Mrs. Ford was the daughter of Congressman Bryant Thomas Castellow, who represented Georgia in Washington from 1932-1937. Though they spent their married life in Mississippi, I presume Mrs. Ford’s local connections are the reason they were interred here.

The allegorical sculpture was originally created for the tomb of Giuliano de’Medici in Florence and is considered one of Michelangelo’s most important commissions.

Cuthbert Historic District, National Register of Historic Places

Plant Park Memorial Fountain, Circa 1879, Waycross

One of the oldest municipal projects in downtown Waycross, the Memorial Fountain in Plant Park was installed circa 1879 and cast by the Robinson Iron Works of Alexander City, Alabama. The bird on the top was apparently replaced at some point.

Waycross Historic District, National Register of Historic Places

Gravesite of John Abbot, Bulloch County

Grave marker for John Abbot of Georgia, featuring a portrait and an inscription honoring his contributions as an artist and naturalist, located in a wooded cemetery with surrounding trees and other gravestones.

John Abbot was one of the most important naturalists and artists working in early America, but because he generally eschewed publication and most of his work was only available to wealthy patrons and collectors, he has not been as appreciated as other notables of his era, including Alexander Wilson and John James Audubon. Credit is due the Georgia Historical Society for commissioning a delightful memorial marking Abbot’s burial place, installed at the old McElveen Family Cemetery in Bulloch County. Publication of a collection of his ornithological paintings, John Abbot’s Birds of Georgia, by the Beehive Press in 1997, has done much to advance his reputation.

Born in London in 1751 to James and Ann Abbot, John was influenced from an early age by the impressive art collection of his lawyer father. Though the elder Abbot expected his son to read law, he also encouraged his interest in art and natural history, hiring the noted engraver Jacob Bonneau to instruct him. In his late teens, John Abbot clerked for his father’s law office but was far too distracted by his passion for natural history and art to give it serious consideration as a career.

He set out for Virginia aboard the Royal Exchange in 1773 and upon arrival resided briefly with Parke & Mary Goodall. By 1775 rising unrest in the colony prompted Abbot to leave, settling with Parke Goodall’s cousin William and his family in St. George Parish, Georgia (present-day Burke County). Sometime during the Revolutionary period he married a young woman named Sarah (maiden name unknown) and their son John, Jr., was born around 1779. During this time Abbot was actively collecting and illustrating Georgia’s insects and a large number were acquired by Sir James Edward Smith, founder of London’s Linnaean Society. Smith commissioned hand-colored engravings of the original Georgia watercolors and published them in 1797 as the  Natural History of the Rarer Lepidopterous Insects of Georgia Collected from Observations by John Abbot. It is considered the first major publication devoted to American entomology.

Illustration of various butterflies and a caterpillar on a fig leaf branch, featuring two butterflies in flight and one resting, along with multiple leaves and seeds.

Spicebush Swallowtail on Sassafras, John Abbot, from the Natural History…, 1797. Public Domain Image.

The Abbots remained in Burke County, where John likely taught at Waynesboro’s Burke County Academy, until moving to Savannah in 1806. He was often in transit throughout the central Savannah River area in pursuit of specimens and new material. Sarah’s death in 1817 sent Abbot into a deep state of grief and poor health consumed him for at least two years, during which he was inactive. He finally settled in Bulloch County in 1818 and resumed collecting and drawing for patrons. He lived out his last years on the property of his friend William E. McElveen. His exact date of death is unknown, but thought to be 1839 or 1840.

A detailed relief sculpture of a man's profile, featuring a textured surface and fine lines depicting facial features and hairstyle.
Mary Stuart. Bronze Relief, after the circa 1804 self-portrait “John Abbot of Savannah, Georgia, America” [detail]. 1956. It is the only known image of the naturalist.

In what has to be some of the most inspiring language on any memorial in the state, the Georgia Historical Society notes of John Abbot: Talented artist and searching naturalist of birds and insects. – As a tribute to him and his work may you who stand here find pleasure in protecting the natural beauty of Georgia. – John Abbot lies buried in this woodland cemetery because of his love of nature and his long friendship with the McElveen family.

Della Burch Monument, Telfair County

This exceptional monument, located in the Blockhouse Baptist Church Cemetery, was commissioned by Dr. Geiger Augustus Burch upon the death of his wife, Della Smith Burch (30 April 1878-20 January 1914). Blockhouse Baptist was organized in 1877  and built on the site of the blockhouse built by General David Blackshear during the War of 1812.

Vietnam War Memorial, 1987, Hartwell

Located on the grounds of Hart County’s courthouse, this moving memorial was one of the first such public installations dedicated to the Vietnam War in Georgia.

From the foothills of northeast Georgia to the jungles of Vietnam we remember the ones who gave their lives.

Ralph Durward Cordell, 1967; Bobby James, 1968; Thaddeus Durrett, 1968; Louis John Clever, 1969; Sammy Howard Whitworth, 1969; Galen Minor Smith, 1969

Never to be Forgotten. The broken V symbolizes the casualties broken dreams, promises and plans. 1959 Vietnam 1975

Dedicated November 15, 1987 by Hart County Citizens to honor the memory of the six Hart County men whose patronage never dimmed; whose loyalty never weakened; whose courage never faltered; so that cherished dreams could be realized for those who come after them.

Chicota Cottage Lion, 1897, Jekyll Island

A pair of Corinthian lions guarding an empty foundation and swimming pool are all that remain of Chicota Cottage, the beloved retreat of Edwin Gould, son of railroad financier Jay Gould. After Gould’s son Edwin II was killed in a hunting accident on Jekyll in 1917, Mr. Gould rarely returned to the island (his wife never returned). Frank Miller Gould used the house occasionally but when he built Villa Marianna, Chicota went into decline. The cottage was eventually razed.

Jekyll Island Historic District, National Register of Historic Places + National Historic Landmark

Art Deco Angel, Bonaventure Cemetery

bonaventure-cemetery-savannah-ga-charles-nick-art-deco-photograph-copyright-brian-brown-vanishing-coastal-georgia-usa-2016Charles Nick (unknown-20 January 1935)

This is located in the Greek Section.

National Register of Historic Places