Tag Archives: Georgia Folklife

Catfaces: Silent Witnesses of a Lost Industry

As they heal, it’s harder to see the emblematic “whiskers” that led to them being called catfaces, but these scarred pines gave life to a labor-intensive industry that was integral to American shipping and employed thousands in Southern Georgia until the early 1960s.

“Catface” describes the scars on the trees that remained after they were notched for the collection of resin, aka sap. The main reason for the demand for resin was its use for waterproofing ships, hence the term “naval stores”. Turpentine had myriad uses beyond the naval stores industry.

In the 1800s, trees were “boxed”, a process in which the collection receptacle was cut into the tree itself, and eventually killed it after all the resin was extracted.

UGA professor Charles Herty developed the “Herty Method” in 1901, which produced a better product and allowed the trees to live after they were sapped out.

In this process, a section of bark was removed and an angled notch, or streak, was cut into the wood. Below the notch, metal strips were placed to direct the resin into a collection vessel, sometimes a terra cotta “Herty cup” or a tin cup.

When the first notch stopped producing, a new one would be cut directly above it. This process could be repeated several times, and since the streaks, looked like cat whiskers, the remnant scars were known as catfaces.

Trees involved in the naval stores industry can still be found, if you know where to look.

Most of the characteristic scars have “healed” over time, a testament to the ability of the pines to survive, and have left behind interesting variations. As these trees age and die, there won’t be any new catfaces, so if you see one, you’re seeing something special.

Since most turpentine stands are on private property, the red-blazed trail at Laura S. Walker State Park near Waycross, where I photographed these examples, is one of the best places to see these fascinating landmarks.

Ashburn Celebrates the Fire Ant

Fire Ant Sculpture [This was on the corner of Hudson Avenue and College Avenue when I photographed it; it may have been relocated since then. There’s another sculpture, by Wilby Coleman, at the Chamber of Commerce a bit further down College Street].

The Red Imported Fire Ant (Solenopsis invicta) was first recorded at Mobile, Alabama, between 1933-1945. This uninvited South American species arrived incognito on shipping crates and in less than a decade had become well established throughout the Southeast. They’re now as far away as California and Puerto Rico and are said to infest over 367 million acres. The FDA estimates that they have an annual economic impact of about $5.75 billion, their negative effects running the gamut from medical and veterinary expenses to crop and livestock loss.

If you live in South Georgia, you probably just know these notorious pests as fire ants and you’re probably well acquainted with their painful stings and the blisters that follow. Taking all this into consideration, the city of Ashburn decided, back in 1996, to celebrate them during their annual Wiregrass Festival, and the idea caught on. The old idiom “if you can’t beat ’em, join ’em” comes to mind. The Fire Ant Festival has had an outsized positive impact on the local economy in its nearly 30 year run. The festival is always held on the fourth weekend in March and grows more popular each year.

This replaces and updates a post originally published on 21 December 2008.

Seabrook Village, Liberty County

Old Seabrook School, Circa 1905

Seabrook Village is a restored African-American community, depicting life among freedmen and their descendants from 1865-1930, and is one of the most unique living history museums in Georgia. [Unfortunately, hours are inconsistent and it’s not always accessible]. The pending loss of the little one-room schoolhouse pictured above is what drove the community to come together to preserve their historic resources. While it may seem abandoned and in a state of disrepair, it’s actually an authentic look into the challenges most Black Georgians faced on a daily basis from Reconstruction to the Jim Crow Era. The Seabrook community was established through land grants dictated in General William T. Sherman‘s Field Order No. 15 in 1865. This was the policy which became known as “Forty Acres and a Mule” and it afforded many former slaves the opportunity to settle land they had once worked as laborers.

The offices of the Seabrook Village Foundation are located at the adjacent Eddie Bowens Farm house.

Delegal-Williams House, Circa 1880

Meredith Belford writes of this house: [it] was moved from Trade Hill Road and fully restored at Seabrook Village in 1994. It was the home of Georgia Ann Delegal who was the child of freed slaves. Despite having limited education, her parents became very successful after their emancipation and amassed several hundred acres of land in the Seabrook and Trade Hill communities. They donated land for the original site of the Seabrook School and the present site of the Sunbury Missionary Baptist Church when it was moved from Sunbury to Seabrook in 1917. The house reflects their elevated status within the community.

Gibbons-Woodard House, Circa 1891

This house was built by Pompey and Josephine Gould and was originally located near Dorchester Station. It was donated by Lula Gibbons and moved and restored in 1994.

Privy

This is a typical “one-seater”, built with scrap materials that were on hand.

Sam Ripley’s Corn Crib, Circa 1930s

According to the Seabrook Village Foundation, this corn crib was restored using original methods and tools. It was originally located at the Sam Ripley Farm.

Mud Bogging, Ware County

Muddin’ Truck, US Highway 84, 2010

This vehicle was always a landmark for me, and served as an advertisement for a local Mud Bogging* event. It was parked on the right hand side of US 84 past Ruskin, heading from Waycross to Homerville, for many years. I think it’s gone now.

*-Mud Bogging, AKA Mudding, Bogging, etc., has grown from a backyard hobby into a big business. It’s perhaps most popular in Florida, but is a big deal in these parts, too, truly a part of the local folklife. At first it was just done with trucks, often specially rigged for the job, but now is very popular with ATVs and custom rigs. I’m not sure about Waycross, but I know Florida actually has races with some of the custom rigs, known as Swamp Buggies.

Elvis Impersonator Kenn Blankenship, Miller County

I made a special trip to Primitive Union Cemetery in Miller County to see this unusual memorial. It’s an enduring tribute to a man who made a second career paying tribute to Elvis Presley.

Marion Kenneth “Kenn” Blankenship was born in 1940 to a West Virginia coal mining family, and after working for the Ohio State Highway Patrol, he changed careers and began working for Southern Bell. His new occupation brought him South, first to Florida, then to Bainbridge, and finally, Colquitt.

Music was initially a side gig, and in his early days in Southwest Georgia he played lead guitar for a country band known as East River Junction. He married Barbara Jones in 1978 and soon thereafter, he got out of the phone business. He and Barbara opened a restaurant and supper club in Bainbridge. Moving on from the restaurant business after a few successful years, the couple formed their own band and traveled all over the Southeast, working regularly. In the 1990s, Kenn began doing his Elvis tributes and they were wildly popular. He even bought three suits from the company that outfitted Elvis.

Kenn and Barbara Blankenship

Kenn passed away on 8 June 2009, but his love of performing and sharing his talents still brings joy at this unique memorial. The beautifully maintained gravesite invites reflection and will likely inspire people far into the future. In addition to the life-size “Elvis” and the bench featuring laser cut images of Kenn performing, there’s a concrete palm tree, and a guitar shaped stone, presumably the future resting place of Kenn’s fellow guitarist, Denzil Newbern.

Boggs Music Hall, Hahira

Hezekiah Rugh Boggs (1928-2020), was the ninth of ten children born to Rand and Bessie Boggs of Breathitt County, Kentucky. His musical interests were developed and encouraged at an early age; he entered and won his first contest at the age of 9 and learned guitar while in his 20s. After service in the Korean War, he worked for General Motors Delco Products, playing gigs in nightclubs around Dayton, Ohio, on the side. He moved to Hahira in 1977 and married Karen Wolff Norris in 1980. Karen, an Ohioan by birth, was a classically trained pianist. By all accounts the couple made beautiful music together and loved sharing their musical gifts with the Hahira community; Rugh had a working knowledge of around 3000 songs. In 2003, Rugh converted the old garage behind his home into a music hall, where he and Karen played three weekends a month.

C. M. Copeland Workshop, Fitzgerald

I made these photographs in 2019, a few months before this structure was razed. For most of my life, it was known as C. M. Copeland’s workshop and studio. I believe it was originally a neighborhood grocery store but I can’t confirm that at this time.

C. M. Copeland, Fitzgerald, 1977 [detail]. Library of Congress. Public domain.

C. M. Copeland (15 July 1916-4 February 2000) was a brilliant wood carver, best known for his sculptures of wildlife made with cypress knees. He was often referred to as “The Happy Wood Carver”. He was also a banjo picker and folk singer, who had a radio show on local radio station WBHB with Wimpy Fowler, The Wimpy and Jigs Show.

C. M. Copeland Treasures in Wood, Fitzgerald, 1977. Library of Congress. Public domain.

He was documented by folklorists for the South Georgia Folklife Project in 1977, both for his picking and his carving.

Wimpy Fowler and C. M. Copeland, Fitzgerald, 1977. Library of Congress. Public domain.

At the time of the South Georgia Folklife Project photographs, his shop was a few blocks down the road from this location. This structure was adjacent to his home and I believe he moved his operations here sometime after 1977 for the sake of convenience.

Cedar Grove Opry Sign, Laurens County

This big red plastic boot served as the sign for the Cedar Grove Opry, a community gathering place located in the old Cedar Grove School. I’m not sure if the opry is still a thing, but the sign is already a landmark.

Flint River Diving Trees, Meriwether County

Most of us who have grown up swimming in rivers and creeks are familiar with rope swings tied to trees that have a good reach over the waterway, and occasionally, we see impromptu ladders added to make the climb to the top easier. I shot these several years ago near the Meriwether County Landing on the Flint River and I think they had more steps than any I’ve seen.

I really didn’t know what to call them other than “diving trees”. They’re really more for jumping than diving, especially when the rivers are low. I don’t think there’s any consensus as to an official term but they’re a thing down here in southern Georgia and I thought these two were perfect examples.

Watching the Stories at Maebob’s, Irwinton

When I stopped at Maebob’s Diner in 2017 [the date of this photograph], it was the first time I’d eaten there since my college days, and the food was just as good as it was in the early 1990s. I’m not sure how long the place has been open, but I’m saying it’s at least 30 years. There is nothing pretentious about the place and nothing fancy, but the homestyle Southern food does all the talking. It’s really the only gathering place in tiny Irwinton and much of Wilkinson County passes through here at one time or another. The day I was there, a soap opera was playing on the television, and one of the servers and a couple of the customers were paying attention when they could. It made me think of my grandmothers referring to soap operas as “the stories”. They watched them religiously and you knew not to call them while they were on, which, depending on the shows they watched, was anytime between 12:30 and 4PM.