Tag Archives: Georgia Folk & Outsider Art

Pool Room Mural, Arabi

This mural has recently been exposed by the removal of its structure’s outer walls. It wasn’t a stretch to determine it was a pool room.

It’s located on the south side of Arabi and was once part of a business that included a 3-bay garage.

The mural is unsigned as best I can tell, but the artist is quite talented.

The focal point is a buxom woman smoking a pipe, surrounded by raucous children, while trying to shoot a game of pool with earth standing in for the cue ball and the planets filling out the rack.

This child is sliding down one of her buttocks.

The images above and below show two plump children swinging on the pool cue, which the artist has depicted as a tree branch.

The illustrations are a blend of different influences, from early comic art to Mad magazine and a little of everything else.

This snaggle-toothed toddler seems terrified as he sits helpless between the woman’s red shoes and striped socks.

And this youngster seems interested in nothing but his lollipop.

I’d love to know more about this mural and the artist. The whole structure has seen better days and it may not be around forever.

A Black History “Last Supper” in Shiloh

This old neighborhood grocery and filling station, located on Georgia Highway 116 just west of downtown Shiloh, will definitely get your attention. It features an amazing mural, with loose vibes of Davinci’s The Last Supper, that places Black historical figures in a colorful tableau. It’s an important work of “Outsider/Folk Art” and deserves further recognition.

My friend Cynthia Jennings and I found it completely by accident this past weekend. According to family members, the artist is Kinyotter Turner. I had a delightful conversation with Mr. Turner’s mother, Jeanette, who was rightfully proud of her son’s work. She said Kinyotter’s uncle owned the building, which has more recently been used as a pool room. The image is based on The Last Supper, but since it adorns a pool room and is near a church, he didn’t formally give it that title. She noted that he had always been interested in history and spent a lot of time reading about it when he was younger. And she stated that he has always had a talent for drawing and art. After his son passed away a few years ago, he made drawings of him and gave them to Mrs. Jeanette. She said they were amazing likenesses.

The artist identified the figures, but some were difficult to decipher. I believe the prophet Muhammad and Jesus to be at the center. [Since Muhammad is generally not portrayed in art, the back to the viewer would fall within the acceptable bounds of ambiguous interpretation.] The other figures are Black revolutionaries and educators.

Dred Scott? (c. 1799-1858), Mary McLeod Bethune (1875-1955), Harriet Tubman (1822-1913), Martin Luther King, Jr. (1919-1968), Jesus

Elijah Muhammad (1897-1975)

Kwame Nkrumah (1909-1972), Muhammad (c. 570-632), Frederick Douglass (1818-1895), Malcolm X (1925-1965)


Noble Drew Ali (1886-1929), Nat Turner (1800-1831), Paul Robeson (1898-1976)

Booker T. Washington (1856-1915), W. E. B. Du Bois (1868-1963), in red at bottom right.

Smith Chapel Schoolhouse, 1934, Lincoln County

This landmark near the Savannah River has often been identified as Smith (Smith’s) Chapel, but further research indicates it was actually the Smith Chapel schoolhouse. Its architecture is typical for a rural schoolhouse of the early 1900s.

A 1989 Georgia Historic Resources Survey notes that the church was torn down at some point and this building was used for a society meeting hall. The sign someone added in recent years notes that the church was established on 28 July 1911. The resource survey dates this structure to circa 1934.

Old school bus seats used as benches or pews are a fascinating feature, something I’ve never encountered before. They wouldn’t have been here originally. Nationally famous outsider/folk artist Leonard Jones painted the sign in tribute to the congregation. His work on tin is widely collected. George W. Bush owns one.

The painting at bottom left gives an idea of what the church looked like, a typical vernacular church with a steeple.

Wrights Grove Baptist Church & Cemetery, Collier

This historic African-American congregation is located west of Forsyth in the Collier community. I haven’t been able to track down any history, but the cemetery has some wonderful vernacular headstones by the prolific but little-known sculptor Eldren Bailey (1903-1987). A few of Mr. Bailey’s sculptures are in museums, but many are long lost. His cemetery memorials represent the breadth of his work and they are quite fragile. Collectively, from the coast to the mountains, they are an important resource which should be better known.

Memorials by Eldren Bailey in Wrights Grove Cemetery

These historic memorials are in varying states of condition and are presented in no particular order.

Coleman Brown (28 August 1900-30 June 1965)

Banks Funeral Home handled the arrangements for Mr. Brown. This memorial features a flower in the tympanum.

Emma Brown (13 July 1905-8 August 1961)

Banks Funeral Home also handled Mrs. Brown’s funeral. Her memorial features a garland of flowers, still in good condition.

Earlie L. Jones, Sr. (Birthdate unknown-1 January 1956)

Earlie Jones’s memorial was handled by Haugabrooks Funeral Home and the memorial also features a garland of flowers.

Freeman Fambro (Birthdate unknown-23 May 1963)

Mr. Fambro’s arrangements were handled by Walker’s Funeral Home. The memorial features a garland, placed slightly differently than the others.

Jessie Lee Benjamin (Birthdate unknown-4 July 1963)

Seller’s Funeral Home was in charge of the arrangements for Jessie Lee and Jerry Lee Benjamin.

Jerry Lee Benjamin (Birthdate unknown-death date unknown)

Mailbox, Treutlen County

Sometimes a mailbox just gets your attention. This is one of those mailboxes. And there was a nice garden being tended in the background.

C. M. Copeland Workshop, Fitzgerald

I made these photographs in 2019, a few months before this structure was razed. For most of my life, it was known as C. M. Copeland’s workshop and studio. I believe it was originally a neighborhood grocery store but I can’t confirm that at this time.

C. M. Copeland, Fitzgerald, 1977 [detail]. Library of Congress. Public domain.

C. M. Copeland (15 July 1916-4 February 2000) was a brilliant wood carver, best known for his sculptures of wildlife made with cypress knees. He was often referred to as “The Happy Wood Carver”. He was also a banjo picker and folk singer, who had a radio show on local radio station WBHB with Wimpy Fowler, The Wimpy and Jigs Show.

C. M. Copeland Treasures in Wood, Fitzgerald, 1977. Library of Congress. Public domain.

He was documented by folklorists for the South Georgia Folklife Project in 1977, both for his picking and his carving.

Wimpy Fowler and C. M. Copeland, Fitzgerald, 1977. Library of Congress. Public domain.

At the time of the South Georgia Folklife Project photographs, his shop was a few blocks down the road from this location. This structure was adjacent to his home and I believe he moved his operations here sometime after 1977 for the sake of convenience.

Whirligig, Odessadale

Whirligigs can be very whimsical, but many are utilitarian, like this one I photographed in the Odessadale community several years ago.

Salvation Mural, Canon

He Died for You. Will You Live for Him

This may have been painted by the same artist who did the other mural of Jesus in Canon.

Jesus Mural, Canon

This mural is on the side of an old store, just south of the Historic Churches of Canon Historic District.

Child’s Grave Marker, Washington County

This is located in the Bay Springs Cemetery.